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JOYCE
YANG

PIANO

JOyce Yang 2003

Blessed with “poetic and sensitive pianism” (Washington Post) and a “wondrous sense of color” (San Francisco Classical Voice), pianist Joyce Yang captivates audiences with her virtuosity, lyricism, and interpretive sensitivity.

 As a Van Cliburn International Piano Competition silver medalist and Avery Fisher Career Grant recipient, Yang showcases her colorful musical personality in solo recitals and collaborations with the world’s top orchestras and chamber musicians.

In 2017, Yang received her first Grammy nomination (Best Chamber Music/Small Ensemble Performance) for her recording of Franck, Kurtág, Previn & Schumann with violinist Augustin Hadelich. She first came to international attention in 2005 when she won the silver medal at the 12th Van Cliburn International Piano Competition. The youngest contestant at 19 years old, she took home two additional awards: the Steven De Groote Memorial Award for Best Performance of Chamber Music (with the Takàcs Quartet) and the Beverley Taylor Smith Award for Best Performance of a New Work.

Since her spectacular debut, she has blossomed into an “astonishing artist” (Neue Zürcher Zeitung). She has performed as soloist with the New York Philharmonic, Chicago Symphony, Los Angeles Philharmonic, Philadelphia Orchestra, the Baltimore, Detroit, Houston, Milwaukee, Pittsburgh, San Francisco, Sydney, New Jersey, and Toronto symphony orchestras, Royal Flemish Philharmonic, Deutsches Symphonie-Orchester Berlin, and the BBC Philharmonic (among many others), working with such distinguished conductors as Edo de Waart, Lorin Maazel, James Conlon, Manfred Honeck, Jacques Lacombe, Leonard Slatkin, David Robertson, Bramwell Tovey, Peter Oundjian, and Jaap van Zweden. In recital, Yang has taken the stage at New York’s Lincoln Center and Metropolitan Museum, the Kennedy Center in Washington, D.C., Chicago’s Symphony Hall and Zurich’s Tonhalle.

In the 2017/2018 season, Yang embarks on a journey of debuts, collaborations, and premieres. Highlights include her 12th consecutive appearance as a guest artist at the Aspen Music Festival, her debut with the New Zealand Symphony Orchestra under Edo De Waart performing Rachmaninov’s Piano Concerto No. 3 in five New Zealand cities, a reunion with the Baltimore Symphony Orchestra for three performances of Prokofiev’s Piano Concerto No. 3, and her first collaboration with the Aspen Santa Fe Ballet on a new work for dancers and solo piano choreographed by Jorma Elo. The work will receive its world premiere in Aspen (March 24) with repeat engagements in Santa Fe (March 31), Costa Mesa (April 4-5) and Los Angeles (April 7).

This season Yang will also perform alongside the Nashville Symphony Orchestra, Lexington Philharmonic, Eugene Symphony, Santa Rosa Symphony, Rochester Philharmonic, Milwaukee Symphony, Reno Philharmonic, Allentown Symphony, Oklahoma City Philharmonic, Vancouver Symphony, and Asheville Symphony. She continues her enduring partnership with longtime collaborators Alexander String Quartet with performances of works by Schumann and Brahms in California and New York

Recent recordings include Yang and Hadelich’s collaborative Works for Violin and Piano for Avie Records (“One can only sit in misty-eyed amazement at their insightful flair and spontaneity,” – The Strad) and the world premiere recording of Michael Torke’s Piano Concerto, created expressly for Yang and commissioned by the Albany Symphony. Yang has also “demonstrated impressive gifts” (New York Times) with the release of Wild Dreams (Avie Records), on which she plays Schumann, Bartók, Hindemith, Rachmaninoff, and arrangements by Earl Wild; a pairing of the Brahms and Schumann Piano Quintets with the Alexander Quartet; and a recording of Tchaikovsky’s Piano Concerto No. 1 with Denmark’s Odense Symphony Orchestra that International Record Review called “hugely enjoyable, beautifully shaped … a performance that marks her out as an enormous talent.” Of her 2011 debut album for Avie Records, Collage, featuring works by Scarlatti, Liebermann, Debussy, Currier, and Schumann, Gramophone praised her “imaginative programming” and “beautifully atmospheric playing.”

Other recent season highlights include debuts with the Minnesota Orchestra, San Diego Symphony, and Charleston Symphony. She was featured in a five-year Rachmaninoff cycle with Edo de Waart and the Milwaukee Symphony, to which she brought “an enormous palette of colors, and tremendous emotional depth” (Milwaukee Sentinel Journal). Yang has joined the Takács Quartet for Dvorak in Lincoln Center’s Great Performers series and impressed the New York Times with her “vivid and beautiful playing” of Schubert’s “Trout” Quintet with members of the Emerson String Quartet at the Mostly Mozart Festival at Lincoln Center. She has performed solo recitals across the United States and Canada, including a recent performance at the Wallis Annenberg Center for the Performing Arts in Beverly Hills that was hailed by the Los Angeles Times as “extraordinary” and “kaleidoscopic.”

Yang has fostered enduring partnerships with the Alexander String Quartet, with whom she has recorded the Brahms and Schumann Piano Quintets (recent appearances in New York and Charlottesville) and violinist Augustin Hadelich (recent appearances in Palm Desert, La Jolla, Costa Mesa, Santa Barbara, Saint Paul, Dallas, New York, San Francisco, Cincinnati and Hong Kong). “It was hard to imagine finer performances by any violin-and-piano pairing,” wrote The Dallas Morning News of one of Yang and Hadelich’s recent recitals.

Born in 1986 in Seoul, South Korea, Yang received her first piano lesson from her aunt at the age of four. She quickly took to the instrument, which she received as a birthday present, and over the next few years won several national piano competitions in her native country. By the age of ten, she had entered the School of Music at the Korea National University of Arts, and went on to make a number of concerto and recital appearances in Seoul and Daejeon. In 1997, Yang moved to the United States to begin studies at the pre-college division of the Juilliard School with Dr. Yoheved Kaplinsky. During her first year at Juilliard, Yang won the pre-college division Concerto Competition, resulting in a performance of Haydn’s Keyboard Concerto in D with the Juilliard Pre-College Chamber Orchestra. After winning the Philadelphia Orchestra’s Greenfield Student Competition, she performed Prokofiev’s Third Piano Concerto with that orchestra at just twelve years old. She graduated from Juilliard with special honor as the recipient of the school’s 2010 Arthur Rubinstein Prize, and in 2011 she won its 30th Annual William A. Petschek Piano Recital Award.

Yang made her celebrated New York Philharmonic debut with Maazel at Avery Fisher Hall in November 2006 and performed on the orchestra’s tour of Asia, making a triumphant return to her hometown of Seoul, South Korea. Subsequent appearances with the Philharmonic included the opening night of the Leonard Bernstein Festival in September 2008, at the special request of Maazel in his final season as music director. The New York Timespronounced her performance in Bernstein’s The Age of Anxiety a “knockout.”

Yang appears in the film In the Heart of Music, a documentary about the 2005 Van Cliburn International Piano Competition. She is a Steinway artist. 

www.PianistJoyceYang.com
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