Thomas Blunt credit Benjamin Ealovega 7

A passionate and adept proponent of Italian opera, Thomas Blunt is one of the most versatile conductors of his generation, with repertoire ranging from Bach to contemporary music.

Thomas Blunt studied at Cambridge University and the Royal College of Music in London, and was the first ever British participant of the prestigious Allianz International Conductors' Academy, where he worked with the London Philharmonic and Philharmonia Orchestras.

He enjoys a close relationship with Glyndebourne, where he began his career as Chorus Master and has since conducted L’elisir d’amore, Falstaff, Il barbiere di Siviglia and La cenerentola on the Tour. During this time at Glyndebourne, Thomas worked closely with Music Director Vladimir Jurowski, resulting in his appointment as Jurowski’s Assistant Conductor with the London Philharmonic Orchestra, with which he has since conducted performances at venues including the Royal Festival Hall (including three UK premieres), Queen Elizabeth Hall, and the Sala São Paulo, where the LPO were joined by the Coro da Orquestra Sinfônica do Estado de São Paulo for Bruckner’s Mass in E minor. For OSESP, he has since conducted Rossini’s Petite Messe Solennelle and Brahms’ Ein deutsches Requiem.

He has conducted Jephtha for Welsh National Opera, Don Pasquale and La Traviata for Longborough Festival Opera, La cenerentola for Opéra national du Rhin, and the world premiere of Dave Maric’s Ghosts for the Royal Opera House at the Linbury Theatre. In 2014, he made his Swiss debut with Ariadne auf Naxos at Konzert Theater Bern and was subsequently appointed First Kapell-meister for the following season. During his tenure he conducted a highly successful new production of Die Zauberflöte as well as performances of La cenerentola. He has since returned to Bern as a guest in 2016 to conduct Lohengrin. 

Other operatic appearances include I pagliacci for Opéra de Baugé, Madam Butterfly for Iford Arts, Cimarosa's Italian Girl in London at the Buxton Festival, Gluck’s Il Parnaso confuso, Bertoni’s Orfeo at St John's Smith Square (all with Bampton Classical Opera), and acclaimed productions of The Rape of Lucretia and The Turn of the Screw, which he co-produced for the Arcola Theatre, London.

Concert highlights include, in addition to the LPO and OSESP, also the Royal Liverpool Philharmonic Orchestra, Orchester Musikkollegium Winterthur, RTÉ Concert Orchestra and the St Endellion Festival.

Aside from his work with Vladimir Jurowski at Glyndebourne and the LPO, Thomas has also assisted conductors such as Iván Fischer with the Budapest Festival Orchestra and Bernard Haitink with the Chicago Symphony Orchestra, and worked for Opera North, Opéra de Lyon, La Monnaie, and the Cantiere Internazionale d’Arte di Montepulciano.

​Recent and future highlights include his first new production for Glyndebourne, Rigoletto, which is the first time the company takes on this work and which tours the UK in autumn 2019, as well as his house debut at the Royal Danish Opera with Idomeneo, and returns to Longborough Festival Opera for Don Giovanni and Welsh National Opera for The Magic Flute, as well as performances with the LPO, Coro and Orquestra Sinfônica do Estado de São Paulo, and the New Zealand Symphony Orchestra.

Photo credit: Benjamin Ealovega