NZSO Recording Aotearoa

The NZSO is committed to the development and celebration of Aotearoa New Zealand’s compositional talent.
Through the NZSO Recording Aotearoa programme we aim to support composers and creative teams in ambitious commercial ventures.
The programme has been proud to support many notable projects, including recent Aotearoa Music Award winning albums Michael Norris's Rerenga and Claire Cowan's Hansel & Gretel.
Programme
About the programme
Through the NZSO Recording Aotearoa programme we aim to support composers and creative teams in ambitious commercial ventures:
- Do you have an album in development and hope to explore arrangement at symphonic scale?
- Do you have a catalogue of work, or a specific project, including symphonic composition that has strong support for release if recorded in studio format?
Within NZSO Recording Aotearoa, we provide a supportive planning environment and enable ambition to become a reality by making all staff player costs incurred ‘in kind’ on approved projects.
NZSO Recording Aotearoa is made possible by our primary stakeholder, Manatū Taonga Ministry for Culture and Heritage.
NZSO Recording Aotearoa aims to:
- Break down financial and logistical barriers for local artists in recording with a symphonic orchestra for commercial release
- Bolster Aotearoa New Zealand’s composing community’s released profile in symphonic format
- Widen the experience of working with a full orchestra in session and deepening access to our National Orchestra.
Key costs to consider
Artistic fees: Conductor, producer, soloists, orchestrators/arrangers and music hire/licensing.
NZSO fee: Consultancy, operations and management, library services, transport, additional musicians and specialist instrument hire.
Recording venue: Pack-in/out, technical equipment and labour, remote communications, heating/cooling, lighting and catering where required.
Engineering: Lead engineer, Pro Tools operator, studio assistants, session preparation and pack-in/out.
Post-production: Editing, mixing, studio/desk hire and mastering.
Product design: Artwork, photography, LP/CD production, digital and print campaigns and accompanying AV.
Promotion & distribution: Publishing and label administration, marketing, PR, plugging and launch or promotional events.
Allow a contingency for unforeseen costs such as date changes, session overtime or additional mixing requirements.
Our work

REforms (2025) | Shayne P. Carter
Recording Aotearoa

Rerenga (2025) | Michael Norris
Recording Aotearoa

Symphony No. 6 (2023) | Anothony Ritchie
Recording Aotearoa

Coming In From The Dark (2021) | Hollie Smith
Recording Aotearoa

Hansel & Gretel (2020) | Claire Cowan
Recording Aotearoa

Cello Concertos (2020) | Gareth Farr / Edward Elgar
Recording Aotearoa

Friend Ship (2020) | The Phoenix Foundation
Recording Aotearoa
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"I can highly recommend the NZSO Recording Aotearoa scheme to any composer wanting to have their music recorded by the best orchestral musicians in the country. The experience of recording my sixth symphony was a joy."
-Anthony Ritchie, Composer, Symphony No. 6’
FAQ
We allocate up to two working weeks per year to NZSO Recording Aotearoa, subject to Orchestra availability and project approval.
This can be used for one major project or divided across several smaller projects.
Recording dates are generally confirmed 6–18 months in advance, depending on the size of the project. Smaller projects requiring only one or two sessions may be scheduled more flexibly.
A minimum of three months’ notice is required to confirm dates. Where possible, we schedule Recording Aotearoa projects around the Orchestra’s existing commitments.
You can submit an Expression of Interest whenever you are ready.
Applications should include information about the project, including evidence of artistic and financial support. Projects that align with the NZSO’s mission, vision and values will be best placed for consideration.
Please include any production or funding deadlines in your application. While we will consider these, we cannot guarantee that they can be met due to existing Orchestra commitments.
Expressions of Interest are reviewed by the Producer: Commercial & Partnership Programmes before being considered by an ad hoc panel of NZSO staff and players.
The panel may include the Concertmaster, Director: Artistic Planning, Director: Commercial & Fundraising, Consultant: Recording and Commercial Ventures and player representatives.
The Producer: Commercial & Partnership Programmes oversees the process and leads approved projects internally and externally.
We will provide a quote, agree on a working timeline and confirm the terms and conditions before active planning begins and the project is added to the Orchestra calendar.
The NZSO can assist with recording planning and implementation, as well as support letters and general advocacy. However, we cannot manage the project’s finances or apply for funding on your behalf.
The composer or project manager remains responsible for venues, artistic and production personnel, contracting and other project practicalities.
If unforeseen circumstances delay your project, we may reallocate your pencilled recording date to another NZSO Recording Aotearoa project.
If the project is already under contract, the relevant financial liability clauses will apply.
Projects may remain approved if the artistic premise is unchanged, but will generally need to be deferred to the following calendar year.
Costs vary significantly depending on the project’s instrumentation, recording length, venue, studio and technical requirements.
Once your project format is confirmed, we can discuss the likely overall costs to help you understand the financial commitment involved.
The NZSO can assist with planning and implementation but cannot manage your project’s finances or apply for funding on your behalf. We can provide support letters and general advocacy where appropriate.
If your project requires the Michael Fowler Centre, work with the NZSO to coordinate dates with both the Orchestra and Venues Wellington, and to place suitable provisional holds.
The NZSO can subcontract the venue for approved NZSO Recording Aotearoa projects where required. The project contract will require the Michael Fowler Centre venue hire deposit to be paid upfront, alongside the NZSO fee deposit. Venue technical and labour costs are settled after the project.
If the NZSO is subcontracting the Michael Fowler Centre, the project contract must be signed at least 12 weeks before the project start date. This is the deadline for confirming or releasing venue holds with Venues Wellington and establishing any financial liability.
Contact us

To apply for NZSO Recording Aotearoa, please complete the Expression of Interest form and return to:
Claire Wackrow: claire.wackrow@nzso.co.nz